Rebecca Rothfus creates industrial landscapes using a vareity of 2D mediums. She is interested in the visual, physical and imagined impact cell towers have on their surroundings.

East Austin Studio Tour 2012 Site #161
Music: “You’re Over” by Videoing

Squidrabbit Myers is Matt’s inner buddy who makes quirky art and minimal animations that are based on animals, childhood, relationships, classic cartoons, comics and more.

Born in Valparaíso, Chile, Liliana Wilson creates art that deals with intense social, political and emotional barriers that create a subtle sense of turmoil. Through her drawings and paintings, she explores the power of complex emotions implicit in the human struggle for integrity. Her images come from the subconscious – realities collide on multiple levels while beauty emanates from her subjects.

Matt Mason is a visual artist who lives and works in Austin, Texas. Skilled in a variety of media, Mason’s work is a reflection on a life full of travel, keen observation and quiet introspection on the essence of spirit. Mason’s art is guided by what comes out of his sketchbook: a moleskine full of ballpoint illustrations of sentient owls, nine tailed cats, unicorn’s ghosts and skulls.

Jean Rather studied painting and drawing at American University in Washington, D.C. before going on to assume the role of Painter Member of the Art Commission of the City of New York. Her current body of work aims to pare down to the essentials, to discover just how much information is necessary to communicate and idea in an artwork.

Jamie Rood’s artwork originates from an idea or something interesting he finds in our environment. He is influenced by hiking in the wilderness, ambient music, yoga & meditation and a spirit of exploration.

Brooke Mackenzie was born in Aspen, Colorado and graduated with a BFA from the University of Texas at Austin as well as an MFA from Edinburgh College of Art. Culture and travel has been Mackenzie’s inspiration from as long as she can remember. Her most recent work is an attempt to convey systematic intentions and personal meditations. Mackenzie finds that western culture seems to be underexposed to detail while experiencing a galloping perception of time. Fast fragmented images and machine-made deeds dominate our senses.