Please join KLRU’s Overheard with Evan Smith for an interview with John Heilemann on September 21 at 9:00 a.m. in KLRU’s Studio 6A (map). Doors open at 8:30 a.m. The event is free but an RSVP is required. RSVP here
Heilemann writes about politics and business for New York Magazine, and his work also appears in other major publications nationwide. A sharp observer of US politics, Heilemann always seems to have a piece of inside knowledge and a surprising new scoop. His book Game Change, coauthored with Mark Halperin, documented the 2008 presidential campaign and became a bestseller. We’ll hear the latest political news and we’ll catch Heilemann’s take on the Republican primary race.
Join us as Overheard with Evan Smith launches a second season of great conversation with fascinating people, always on the news and always with a sense of humor. The show features in-depth interviews with a mix of guests from politics, the arts, literature, journalism, business, sports and more, and reaches PBS stations from California to Florida. We hope you’ll be there for the second season of this exciting program.
Austin’s own Wiretree will tape ACL Presents: Satellite Sets on Thursday, January 27, at 7:30 p.m. in KLRU’s Studio 6A. Doors will open at 7 and the taping will take about an hour. The taping is free, but an RSVP is required. RSVP here
Singer-songwriter Kevin Peroni began composing heartfelt indie melodies reminiscent of The Shins meets early Posies under the band’s moniker in 2005. Since then, Peroni has inducted three additional members to help Wiretree excel in lacing tracks with infectious hooks and choruses reminding us of an orchestrated Tom Petty-esque pomp and circumstance. The collective’s latest LP, Luck, has been included on various year-end lists and incorporates a variety of classic influences to produce an endearing yet simplistic indie pop masterpiece. Powerpop Station describes Luck as “a collection of pop gems of rare beauty, a panel revealing an inspired artist, a pill filled with good feelings” while Blurt Magazine praises its “underground-tinted ’80s stylings and latterday indie rock with a distinctive anthemic edge.” With the assured grace of Elliott Smith-like vocals and Peroni’s acoustic innocence, the album assures to provoke a bright and enjoyable musical experience.