The tapings for season 38 of Austin City Limits are starting up, but that doesn’t mean that we can’t still revel in the great times from season 37 – and what better way to remember the incredible line up than owning one (or all!) of the limited edition band posters.
To kick off the KLRU March fundraising drive, we have organized an eBay auction of signed, limited edition band posters from ACL’s season 37 – the auction will be up until March 10, so bid now and bid often to get your favorite performer’s poster into your personal collection.
Posters currently available for bids
(click on band name below to visit auction site)
Florence & The Machine
Gillian Welch & The Decemberists
Steve Miller Band
All proceeds will go directly to KLRU to inspire creativity, exploration and understanding in Austin – and beyond.
Rarely seen Austin City Limits footage will be shown in a special screening series at Alamo Drafthouse theaters this summer! KLRU and the Alamo Drafthouse Cinema have teamed up for a series of screenings of classic ACL performances beginning Monday, July 25th.
The first screening of the Reel Rarities: Handpicked Gems from the ACL Vault series will be the Austin City Limits pilot episode featuring Willie Nelson, followed by highlights from the ACL archives. The performance that started it all was taped in 1974 and includes hits such as “Whiskey River” and more. Monday, July 25th at the Alamo Drafthouse Ritz and Monday, August 1st at the Alamo Drafthouse Village.
The Alamo Drafthouse wrote: Is there anyone on earth who doesn’t love Willie Nelson? He is one of those Texans we can all look at and say, “Yep, that’s our guy.” And he was the only fitting choice to kick off a little TV show that originated here to showcase the best of Texas and other roots music to the whole world through long-form live concerts. Alamo Drafhouse will screen the full pilot episode of ACL as well as selected clips of other great performances from the show.
Tickets to attend Reel Rarities: Handpicked Gems from the ACL Vault screenings are $5 each and all proceeds from ticket sales will go to the Health Alliance for Austin Musicians. Learn more about HAAM here: myhaam.org Tickets can be purchased at: drafthouse.com.
Watch The Newshour tonight for a story on Austin City Limits’ 35th anniversary. The segment is scheduled to air during tonight’s (10/20) episode which airs at 6 p.m. on KLRU.
Check out The Newshour’s coverage online at pbs.org/newshour
Austin City Limits “Sarah McLachlan followed by Duffy”
Saturday, Feb. 14, at 7 p.m.
Additional air dates: Wednesday, Feb. 18, at 10 p.m.; Friday, Feb. 20, at 11 p.m.
Preview the show at austincitylimits.org
For fans of intelligent, passionate songcraft, Sarah McLachlan hardly needs any introduction. The Canadian singer/songwriter has been an award-winning, critically-acclaimed, multi-platinum artist for two decades. Her 1987 debut album Touch launched the classically-trained Nova Scotia native as a star in the Great White North; subsequent albums Solace, Fumbling Towards Ectsasy and the Grammy-winning Surfacing made her an international sensation. Hits like “Possession,” “Into the Fire,” “Fallen” and “Building a Mystery” remain staples of adult album alternative radio. In addition to creating her own music, she’s recorded numerous songs for soundtracks, including the Oscar-nominated “When She Loved Me” from Toy Story 2, curated the Lilith Fair music festival, launched a children’s choir and percussion ensemble as part of a Vancouver-based outreach program and supported or established various charities around the world. Now, in support of her recently-released greatest hits album Closer: The Best of Sarah McLachlan and its single “U Want Me 2,” she comes to studio 6A for her long-awaited debut episode of Austin City Limits.
Austin City Limits “Nick Lowe followed by The Swell Season”
Saturday, Jan. 31, at 7 p.m.
Additional air dates: Wednesday, Feb. 4, at 10 p.m.; Friday, Feb. 6, at 11 p.m.
Preview the show at austincitylimits.org
As much as we love presenting new and promising acts on Austin City Limits, it’s great to have a veteran trodding the boards. Singer/songwriter Nick Lowe has earned that designation in his 40 years in the trenches of the music business. The Englishman began as a teen idol in the 60s band Kippington Lodge, which evolved into pub rock pioneers Brinsley Schwarz, for whom he wrote his enduring anthem “(What’s So Funny ‘Bout) Peace, Love and Understanding.” Though not a punk rocker himself, the affable Lowe played a role in birthing the British punk movement through his production of the Damned, the Pretenders and, chiefly, Elvis Costello. In the late 70s he inaugurated a prolific solo career with his debut solo album Jesus of Cool and the British hit “(I Love the Sound of) Breaking Glass.” With cheeky roots/pop tunes like “I Knew the Bride (When She Used to Rock ‘n’ Roll),” “All Men Are Liars,” the American smash “Cruel to Be Kind,” “Heart” and “When I Write the Book” (the latter through Rockpile, his band partnership with Dave Edmunds), Lowe continued as a respected songsmith and performer through the 80s. more
Austin City Limits “Manu Chao”
Friday, Jan. 30, at 11 p.m.
Preview the show at austincitylimits.org
Though not a common name in households whose primary language is English, Manu Chao is one of the world’s bestselling musicians in the vaguely-monikered “Latin alternative” movement. A truly multicultural artist, Chao’s work combines punk rock, salsa, reggae, ska, French chanson and Algerian raï, among other styles, and he’s as likely to sing in Portuguese, Arabic and Wolof as in Spanish, French or English (or some combination of the above). Born in Paris to parents of Basque and Galician origin, Chao grew up in a multilingual household often visited by artists, intellectuals and political activists. As a teen he was entranced by the 70s U.K. punk scene, particularly the Clash, and formed his first band in the mid-80s. With his brother and cousin, Chao moved on to the ambitious, wildly eclectic Mano Negra, with whom he signed to Virgin Records, toured Europe and the Americas, had a French hit single “Mala Vida,” and went top 5 in Italy, Germany and the Netherlands. After Mano Negra’s demise, Chao drifted around South America with his guitar and a 4-track recorder, researching and absorbing the roots music of his heritage. His solo career launched in 1998 with the award-winning album Clandestino, followed in 2001 by the European hit Próxima Estación: Esperanza. In 2006, Chao set about conquering America, with tours that culminated in well-received sets at the 2006 Lollapalooza and 2007 Coachella festivals. We’ve been chasing after him for a couple of years, and now, in alignment with the release of his latest album La Radiolina and his appearance at the 2008 Austin City Limits Music Festival, we’re pleased to finally showcase this unique artist live from Studio 6A.
- Michael Toland
About the Reviewer: Michael Toland is manager of national productions for KLRU and contributes music reviews to several online and print publications.
Program: Austin City Limits
Date: Saturday, Nov. 15
Time: 7 p.m.
Also Airs: Wednesday, Nov. 19, at 10 p.m.; Friday, Nov. 21, at 11 p.m.
Preview the show: AustinCityLimits.org
It may not seem like it these days, but in the music business, perseverance pays off. Consider Aimee Mann. The Virginia-born, Berklee School of Music-trained musician had a hit in the 80s right out of the box with her band ‘til Tuesday’s debut single “Voices Carry,” but it’s her journey as a solo artist that’s ultimately gained the most attention. After 1993’s Whatever and 1995’s I’m With Stupid, her first two solo albums, attracted reams of critical acclaim but few sales, Mann left the major label system behind for good. Befriending film director Paul Thomas Anderson, she made significant contributions to his infamous movie Magnolia, including the Grammy- and Oscar-nominated “Save Me.” Mann then started her own label Superego Records, through which she’s released three studio albums, a Christmas record and a live CD/DVD set. She’s found more success than ever before and become a model for artists who want to do it themselves. With her colorfully-titled latest LP @#%&*! Smilers in hand, at long last Mann brings her intelligent, intricately arranged modern pop to the Austin City Limits stage. more